Both the Franck and even more so the Messiaen pieces give Stokowski full scope for "sensuousness sound and incandescent brilliance," as one critic described the original Phase 4 release of these recordings.
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1 |
Ravel |
Fanfare
from L'Eventail de Jeanne |
2:09 |
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2 |
Chopin
(arr. Stokowski) |
Mazurka
in A minor, Op.17 No.4 |
5:53 |
| |
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Messiaen |
L'Ascension—Four Symphonic Meditations |
19:40 |
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3 |
|
|
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Majesté
du Christ demandant sa gloire à son Père |
|
3:42 |
 |
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|
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Alléluias
sereins d'une âme qui désire le ciel |
|
5:03 |
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5 |
|
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Alléluia
sur la trompette, alléluia sur la cymbale |
|
6:11 |
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6 |
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Prière
du Christ montant vers son Père |
|
4:34 |
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7 |
Duparc
(arr. Stokowski) |
Extase
David Gray solo horn |
3:06 |
| |
|
Franck |
Symphony
in D minor |
43:42 |
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8 |
|
|
18:05 |
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9 |
|
|
12:35 |
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10 |
|
|
12:51 |
TT:
74:30 |
Reviews:
"You will be amazed and thrilled—you will be seduced—by the Franck. It is like no other recording." American Record Guide
"That anyone can conduct in their late eighties is remarkable; that the results should have the incisive vitality of these recordings is truly amazing." BBC Music Magazine
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